“We are afraid to look through that window”, that is what my friend said to me another day while looking at the photo above. He didn’t say anything about liking or disliking this photograph and I didn’t ask.
Anyway, I found an abandoned shed and spent a lot of time trying to photograph the old door and a broken tire next to this shed. None of the pictures came out OK. Then I am moved to the broken window and after a few attempts I got finally the picture above.
What can I say about shooting for three days in a row with my Lensbaby sweet 35? It’s difficult. It’s difficult to find the focal point and make it sharp. It’s difficult to use a lens with only one focal length. It doesn’t let you to be lazy.
I remember that Henry Cartier-Bresson at the beginning of his photography used the 35 mm lens and then he switched to 50 mm. When he was asked, why the 50 mm lens, he said:
The 35 is splendid when needed, but extremely difficult to use if you want precision in composition. There are too many elements, and something is always in the wrong place. It is a beautiful lens at times when needed by what you see. But very often it is used by people who want to shout. Because you have a distortion, you have somebody in the foreground and it gives an effect. But I don’t like effects. There is something aggressive, and I don’t like that. Because when you shout, it is usually because you are short of arguments.
Well, I don’t like to be loud and to shout but if it will happen I will not be upset about it. And I don’t mind to include a few more things in my photos.